In order to construct an optical ("lightbeam") transceiver, this
enclosure was designed to mount two Fresnel lenses, each being
318mm x 250mm (approx 12-1/2" x 9-7/8") with a 330mm (13") focal length
and are about 2mm thick. These lenses were obtained from Surplus
Shed and were part number L3606: As of 12/2007, they were no
longer shown in their online catalog.
A "truncated" pyramid design was suggested by the Chris, VK3AML, and
was selected as it is somewhat more compact and uses less material to
construct -
not to mention being somewhat stronger than a cubical enclosure, owing
to the triangular construction. Note that only the top/bottom
panels are sloped and not the sides as, at the time, I
didn't feel comfortable in trying to take into account so many compound
angles..
Comment: In future enclosures, I will
not be
using the same mounting scheme for the emitter and detector modules -
see below.
Figure 1
Views of the enclosure before the sides
were attached.
Click on either image for a larger view.

|

|
The main enclosure body:
The body of the enclosure was constructed using some "5.2mm Hardwood
Plywood" - a 4' x 8' sheet of which was obtained at Lowes for about
$12. These sheets are 3-ply - not counting the two very thin
exterior veneers - and with the "finished" veneer (being "A" grade)
being thin enough that it cannot take much sanding at all. The
obverse veneer is somewhat thicker and is of "C" grade. It is
worth
mentioning that sheets of plywood this large and thin are not
particularly flat - something to be considered during cutting and
construction as this uneven-ness needs to be accommodated during
construction: The slots made from scrap wood seen in the photos
help force the pieces into alignment.
For the lens mounts - and in a few other places - some 1"x2"
poplar strips (actual dimensions are 3/4" x 1-1/2") - were used.
Poplar was
chosen because it is relatively inexpensive, quite light in weight, and
much stronger and durable than pine.
Because the plywood is fairly lightweight and not extremely strong,
the back panel and the front cover were made by laminating two pieces
of plywood together: This was done by liberally applying yellow
wood glue, tacking the two pieces together with small brads, and then
clamping then between two sheets of heavier plywood in order to keep
them
flat. After the glue has set, the brads are then removed and the
holes filled in with wood filler.
After gluing, the back panel is cut down to size as necessary and the
holes are cut using a 4" hole saw. As can be seen from the
pictures, scraps strips of plywood were used as guides to align the
center divider as well as the sloping top and bottom sides. These
scrap strips are secured using yellow wood glue and were stapled into
place. These strips not only provide a guide for alignment and
help straighten the material, but
they also add to the thickness of the material at mating edges,
providing more surface
area for gluing and the application of brads.
VK3AML, pointed
out that it is best to orient
the plywood such that the end-grain of the middle ply is exposed on
those edges into which brads and nails will be inserted. For
example, the end grain of the middle ply of the center divider panel is
exposed along the rear panel. Because nails need to be applied
from all sides, the use of the "reinforcing strips" made from scrap
plywood minimized this problem and increased strength.
In looking at the pictures carefully, one can see that the three
pieces of the "1x2" poplar are used for not only mounting the lenses,
but
as the
front support for the enclosure in the form of a top and bottom lens
rail and a center divider rail. In these pieces, 1/4" wide, 1/4"
deep slots were cut using a router into which the lenses slide.
The center divider has three such slots: The two slots on either
side to accommodate the lenses, but also a slot facing backwards into
which the plywood center divider is glued. Although the 1/4" (6.4mm)
slot is a
bit wide for the plywood's width (which is just under 5mm) the liberal
application of wood glue makes
for a very strong joint: Ideally, the slot's width would be cut
to provide a snug fit for the plywood using an adjustable dado on a
table saw (or by using a reverse cut using a smaller router bit) - but
I
don't have any of these.
Figure 2
Top left: The attachment of
the "tab" on the side panel to the rear panel. Top right:
The attachment of the side panel to the lens rails. Bottom
left: View of the enclosure with the side panels
attached. Bottom right: One of the side lens rails,
showing the attached alignment tab and the rabbet used to hold the side
panel in position.
Click on an image for a larger view.

|

|
 |

|
The top and bottom lens rails are identical to each other and they also
have slots
cut into them - but the lengthwise slots are not
continuous across the entire front.
Although it cannot be seen from the picture, the lens rail slots stop
in the middle (at the center divider) and this was done to prevent the
leakage of light from one lens (the "transmit" lens) into the other
(the "receive" lens.) As can be seen from the pictures, some
"grabber"
screws were used (along with yellow wood glue) to fasten the top and
bottom lens rails to the center divider rail, resulting in a
surprisingly strong "H"-shaped frame. Of course, before gluing,
one should check (and adjust) the fit of the lenses into the rails.
From the picture on the left, one can see that the lens rails have
another slot facing backwards to receive the sloping top/bottom
panels of the
enclosure. Ideally, these would have been cut to match the 26
degree
angle of the sloping sides - and I would have done this if I had a
table saw and a dado, but I used, instead, a router to cut a 1/4" wide
by 1/4" deep slot. Using a sharp wood chisel, I then removed the
edge
on one side of this slot to allow the sloping top and bottom panels to
be angled while still resting at the bottom of the slot.
Once the top, bottom, center divider panel, and rear panel plywood
pieces were "dry fit" together (with the "front" facing down) with the
poplar lens rail (which was now an "H" frame consisting of the three
pieces screwed and glued together) to verify proper fit (and to make
sure that the lenses would fit properly) and yellow wood
glue was applied liberally to the "rear" slot of the front lens rail
and the edges of the center divider panel, the rear panel was dry-fit
into place, and about 100 pounds of weight was set on the rear
panel.
Alignment of all of the panels was re-checked, and the glue was allowed
to cure.
After the glue holding the front panel into place cured, the rear panel
was lifted off, glue applied to the mating surfaces, the rear panel
re-set into position and then small brads were used to tack everything
into place while continually checking to make sure that all panels were
in alignment. After the tacking, enclosure was placed face up
(with the rear panel on the ground) and a piece of plywood was put
across the front and the 100 pounds was again used to compress
everything together while the glue cured.
The side panels were fabricated with a "tab" protruding from the rear
that allowed attachment of the side panel to the rear mounting
panel.
As can be seen from the pictures, scrap strips of plywood were attached
using staples and glue to the outside edges of the top and bottom
panels to double their thickness near the edge to
provide additional surface for gluing and nailing. Glue was
applied to the edges of the side panels and they were then
tacked into place with small brads and the glue was allowed to
cure. After curing, a bead of
black RTV was run
along all inside
edges - especially the center divider. This RTV provides not only
additional structural strength, but it also provides an effective
barrier to light that might leak from the transmit side of the
enclosure to the receive side.
Along the sides of the front of the enclosure are the side lens
rails. These have a 1/4" x 1/4" slot cut in them to match the
top, bottom, and center lens rails, plus there's a rabbet cut along the
rear edge to accommodate the thickness of the paneling of the side
panel: This detail can be seen in the lower-right picture in
figure 2.
In the center of each side lens rail is a scrap piece of paneling that
is tacked and glued to the side lens rail over the rabbet: When
installed, the side panel is inserted into the slot formed by the
rabbet and this piece (the "alignment tab") and this provides rigidity
to the side panel.
Note that the lens rails are to be
removable to allow installation/removal of the lenses as necessary.
Optical receiver and transmitter mounting
Figure 3
Upper left: Close up of the 3" ABS
coupler with the sides slotted and angle brackets attached. Upper
right:
The coupler mounted in position. Middle left and Middle right:
After the mounting tubes have been cut down further to minimize light
blockage. Bottom left: The
inside
of the enclosure, with couplers installed and having been RTV'd into
place and with the interior surface of the enclosure painted with flat
black paint. Bottom right: This is what it looks
like when there is no picture.
Click on an image for a larger view.

|
 |

|

|
 |
|
This enclosure was constructed to a depth somewhat shorter than the
focal length of the lens to allow precise focusing of the optics to be
accomplished. In order to do this, some sort of fitting is
required on which the emitter and detector can be mounted: I
chose to use 3" ABS pipe hardware for this.
As can be seen from the picture, the receptacle for mounting the
emitter and detector is constructed from a 3" ABS pipe coupler.
As it turns out, this coupler has an outside diameter of just under 4
inches, hence the holes in the rear panel. In order to securely
mount these, I used some 2" angle brackets.
In reviewing the geometry of the enclosure and the relationship of the
lens, the light rays from the lens, and the size of the pipe coupler, I
realized that the inside diameter of the coupler was small enough that
it would block some of the light from the "long" dimension of the
rectangular Fresnel lens. To minimize this, I cut slots in the
pipe coupler to prevent the light blockage. Because of the
limited room on the back panel to which the angle brackets could be
mounted, the angle brackets were not mounted at 90 degree intervals -
but rather, they were mounted as shown in the picture. Using 6-32
hardware, a pair of these couplers was mounted to the back panel and
then black RTV was applied around them to
provide lightproofing as well as to increase rigidity.
Note: After the unit was assembled, I noted that some
slight blocking of light was still occurring around the edges of the
Fresnel lens. To remedy this, I removed the mounting tubes and
cut them back even further, as shown in the pictures.
After the RTV was cured, the side lens rails were installed, the front
surfaces were covered with masking tape, and the interior surfaces of
the enclosure were sprayed with several coats of flat black paint in
order to minimize the effects of stray off-angle light.
Front cover/Support base
In designing the enclosure, I decided to make the front panel of the
enclosure perform a double-duty: It should not only protect the
lenses while in transit, but it could be used as a firm attachment
point for a tripod or as as platform to be set on the ground.
Because of this, the front panel is mostly
made from two pieces of plywood laminated together. Note,
however, that the panel is not entirely double-thickness: It is
only a single thickness near the hinges as a double-thickness would
interfere with the bottom lens rail as it was folded backwards.
The front panel pivots on four 3 inch "Bi-fold Door
hinges": These are "split" hinges designed to be flush-mounted
and as such, their mechanism's range of motion is limited only by what
is attached to them. Note that the "inside" portion of the hinge
is mounted to the lens rail, while the "outside" portion of the hinge
is connected to to the cover. This was done because the poplar
lens rail is quite strong, while the cover plywood - being only a
single thickness - is quite weak by comparison. By mounting the
cover to the "outside" hinge segment, the mounting screws are spaced
farther apart and will better-distribute load across the single-ply
panel.
Although it is difficult to tell from the pictures, the hinges are
mounted offset from the lens rail by the thickness of the
plywood. When the panel is closed, protecting the lenses, the two
metal halves of the hinges lie side-by-side. When the panel is
flipped backwards, however, the hinges need to be offset from the lens
rail slightly to accommodate the fact that the thickness of the plywood
is between the hinge and the lens rail.
Figure 4
Top left: The enclosure with
the front cover folded backwards. Top right: An
"inside" view of the hinges, showing the countersunk holes that
accommodate the mounting screws, and also the need for a single
thickness of wood near the hinges in order to allow full movement of
the hinges. Bottom left:
Close-up view of the hinge. Bottom right: The front
cover, folded completely back and meeting the rail on the rear
panel.
Click on an image for a larger view.

|

|

|

|
While wood screws were used to mount the hinges to the lens rail, 6-32
screws and nuts were used to bolt the cover to the hinges as there is
too little material to accommodate a wood screw. In the picture,
one can see that countersinks were drilled into the lens rail to
accommodate the thickness of the 6-32 nut and the length of the
screw: If this had not been done, the cover could not be folded
backwards. It should be noted that upon final assembly (after
finishing) 6-32 flat
washers were added between the nut and the wood to spread the stress of
the screws on the wood
and blue "Locktite" (tm) was put on the threads to keep the nuts from
loosening.
In order to provide a "stop" for the cover when folded backwards under
the enclosure, another piece of poplar was cut and a 1/4" wide slot was
cut into it - the depth of the slot being calculated such that when the
bottom cover was folded over, it's surface was at a right angle to the
lens plane. This piece of poplar was then glued to the bottom
edge of the rear panel. Now, if I had planned ahead sufficiently,
I could have simply made the rear panel large enough (or offset it) so
that the bottom edge would have performed this function and I could
have avoided the need for this extra piece of wood.
Once all of the pieces were checked for proper fit and attached, all of
those pieces that could be removed or disassembled were removed and all
exterior surfaces (plus the interior surfaces that were not already
painted black) were finished - first, with a Minwax red oak finish, and
then with two coats of semi-gloss polyurethane finish. After
these finishes had dried, the enclosure was re-assembled.
In order to provide a firm tripod mount, a piece of 1/8" thick
aluminum, 130mm x 200mm was cut. In the center of it in a line I
drilled and tapped seven 1/4-20 holes to accommodate a standard tripod
screw. These holes were in a straight line and spaced 1/2" apart
for several reasons:
- To allow selection of the best hole for the center of
gravity encountered in a particular situation. As the enclosure
is tipped forwards or backwards, the effective center of gravity (and
the "balance") changes slightly.
- To allow the use of the "guide pins" that many
tripods have to prevent rotation.
- To provide redundancy, should the threads of one of
the holes get stripped out while in the field.
The center of gravity of the enclosure (with the lenses
mounted) was determined empirically and the position of the plate was
selected so that the center hole in the plate was at that
location. The position of the plate and its holes (both the
1/4-20 tripod mounts and the four corner mounting screws) were marked,
3/8" diameter countersinks were drilled into the cover at the position
of each of the
seven 1/4-20 mounting holes, and four more holes were drilled for the
6-32 screws used to mount the aluminum plate to the cover.
Comment
about a tripod mount:
- Orignally, I'd included a metal plate to allow this
enclosure to be mounted to a tripod. However, the idea of using a
tripod mount was later
abandoned as it became immediately obvious that all but the heaviest
(and expensive!) tripods were inadequate in their ability to support an
enclosure of this size! The metal mounting plate was later
removed and the notch between the two lenses was filled-in. In
operation, the unit is simply placed on a small table, platform, or
even
carefully-arranged rocks.
Mounting the lenses
Figure 5
Top left: The side lens rail
with a
piece of rubber foam installed. Top right: A shim on the
corner of the Plexiglas protector. Bottom left: Near
edge-on view of protector lens and the Fresnel. Bottom right:
A front-on view of the
enclosure with light being emitted.
Click on an image for a larger view

|

|
 |

|
The width of the front panel lens rails (inside the
grooves) was inadvertently made about 1/4" wider (on each side) than
the 250mm width
of the lens - and this meant that the lens was likely to slide around a
bit - but it also meant that if the lens was slid to one side or
another, it would not engage the opposite lens rail slot
simultaneously. To fix this, some 1/4" wide shims were
cut from some 0.062"
(1/16") printed circuit board material, placed in the slot in the
center lens rail, and secured in place with black RTV. Only three
shims (each about an inch long) were used: One in each corner
where they can provide additional light blockage between the two
lenses, and one in the middle.
In order to keep the lens in place as well as to accommodate expansion
and contraction of the wooden enclosure, three small pieces of
closed-cell
weatherstripping foam rubber were inserted into the side lens
rails. When installed, these keep the lenses firmly pushed toward
the center of the enclosure.
As mentioned before, the thickness of the Fresnel lens itself is about
2mm. What is also important to note is that the lens is rather
fragile - especially the "grooved" side, which must
face outwards. Were these grooves not protected, they could be
easily damaged by abrasion or worse, they could accumulate dust and
dirt: A protective
sheet is required.
I found at Lowes a 18" x 24" piece of 0.08" (approx. 5/64" or 2mm)
thick
Plexiglas that I cut into two 250mm x 318mm pieces to precisely match
the size of the Fresnel lenses. This Plexiglas was cut by first
scoring the plastic on both sides, and then snapping it along the score
line with a crude brake made by clamping the Plexiglas between two
pieces of wood and using a third piece of wood to snap it. If a
fine-toothed bandsaw or table saw is available, it can be easily cut
with that.
Because the combined thickness of the Fresnel lens and the Plexiglas
was only about 0.16" (5/32" or 4mm) additional thickness was required
to fully fill up the 1/4 lens rail. This was accomplished by
solvent-gluing 8 small shims cut from scraps of Plexiglas to the edge
of the
protector using free-flowing cement: One small, square piece in
each corner, and a slightly larger strip at the midpoint on each
side. The combined thickness of the protective cover plus these
shims is about 0.24" - a very close match to the 1/4" lens rail
width and when slid into place, the protector and the Fresnel fit
fairly snugly. By providing a gap between the protector and the
Fresnel lens, there's a reduced possibility of damage to both the
pieces because they cannot come into contact with each other and
scratch or ablate their surfaces. Because of the support of the
lens and its protective cover by the lens rails on all four sides,
there is no tendency of either the lens or the protective cover to bow
or warp.
Once the lens and protective cover are slid into the lens rails, the
side lens rails are screwed into place: The rubber padding
prevents side-to-side movement of the lens assembly while still
allowing for
differing coefficients of expansion of the plastic and wood
pieces. In addition to the use of the foam rubber to prevent the
lens from sliding side-to-side, a small piece of foam was added at the
top of the lens to prevent vertical movement: A 1/2" hole was
drilled into the center of each top lens rail and a 3/8" dowel with a
piece of the same foam rubber was inserted into the hole, with the foam
holding both the lens and cover plate in place, vertically. Atop
the dowel was a small spring (to maintain compression after the foam
had conformed to its final shape, holding the lens and cover in place)
and a small piece of plywood was screwed into place to hold everything
else in place.
Electronic assembly mounts:
The mounts for the electronics contain three pieces:
- Receptacle tube mounted on the enclosure. This is the 3"
ABS pipe coupler described above.
- Mounting tube. This tube slides inside the receptacle on
the enclosure, allowing focus to be precisely adjusted. Attached
to this is a plate (made of circuit board material) to which the
emitter/detector unit is attached.
- Emitter/detector unit. This is a 100mm x 100mm square plate
with the emitter or detector's active device located in the
center. This attaches to the plate on the mounting tube.
Lateral adjustments are permitted to permit precise parallel alignment
of the transmit and receive beam patterns.
The mounting tube:
This consists of a short piece of 3" ABS tubing of the sort typically
used for wastewater pipes. The type that I used is the "foam"
type, so-called because it is infused with tiny air bubbles during
manufacture - a process that makes it far lighter in weight than the
solid ABS.
Because this ABS tubing is intended to provide a very snug friction fit
with
its couplings but not easily be removed, it is necessary to reduce the
outside diameter of the
tubing slightly in order for it to be easily slid in and out of the
receptacle tube on the enclosure. This diameter reduction was
accomplished by clamping a piece of the tubing (already cut to length)
in a vise, sanding it with 60 grit paper, rotating the tube 90
degrees, and then sanding some more in overlapping patterns.
Because it is foam-based, this tubing acquires a velvety texture when
sanded, causing quite a bit more friction that would normally occur
when inserted into the receptacle tube. To remedy this, I wiped
the tube very quickly (using a rag) with lacquer thinner: The
solvent nature of the lacquer thinner lightly dissolved the fuzzy
surface, reforming it as a solid, smooth surface. When wiping the
tubing with the thinner, one must move quickly, or the rag will stick
to the ABS, leaving a mark and deforming the surface.
Figure 6
Top left: Raw pieces of the mounting tube that connects
to the enclosure to provide focusing. Top right:
The emitter mounting assembly. Upper-center left:
Luxeon
emitter epoxied to the heat sink. Upper-center right:
Close up view of the Luxeon emitter on the heat sink. Lower-center
left: The PCX lens mounted and spaced above the
emitter. Lower-center right: A rear view of the
lens mount. Bottom-left: Emitter and lens assembly
on mounting tube. Bottom-right: The "business end"
of the mounting tube, showing the emitter (and connecting wire) through
the PCX lens. Note: The emitter is slightly "off center"
from the mounting tube owing to a slight miscalculation of the
locations of the positions of the mounting tubes' mounts on the
enclosure.
Click on an image for a larger view.

|
 |

|

|

|

|

|

|
As can be seen from the picture, four screws were used hold the piece
of tubing the the circuit board material. The center of the
square circuit board material was located by drawing an "X" on the
board, and using a ruler, the tube was centered precisely. At
that point, the inside and outside of the tube was traced using a
pencil and marks were placed on the tube, along with a corresponding
mark on the circuit board material so that the orientation of the tube
could be repeated. After this was done, the precise location for
the mounting holes were located by marking midpoint between the inside
diameter circle and the outside diameter circle where the line for the
"X" crossed the circles.
Holes were drilled to accommodate the 1/2" long #6 wood screws and the
opposite side of the material was counter bored so that the heads of
the screws would be flush with the board's surface. After
drilling in the circuit board, the tube is aligned with the holes, the
positions marked on the edge of the tube, and then 1/16" pilot holes
were drilled in the edge of the tube.
After verifying a good fit, the tube was removed, the edge coated with
black RTV and then the tube was reattached with screws. A bead of
the black
RTV was then run along both the inside and outside surfaces of
the the tubing: Again, this RTV provides the majority of
the physical strength of the attachment between the tube and the board
material as well as providing the very important function of providing
a light-tight seal between the board and the tube. After the RTV
cured, the inside of the assembly was painted with flat black paint to
minimize stray reflections.
The emitter mount:
When operated anywhere near their maximum ratings, the Luxeon Emitters
must
be mounted on a good heat sink with low thermal resistance from the
LED's slug (the aluminum substrate) to the heat sink itself. When
I first went looking for Luxeon devices, my source had only the raw
emitters (instead of the Luxeon Stars) in stock. The Luxeon Stars
are simply an emitter that has been already mounted to a small
star-shaped aluminum heat-spreading plate.
In doing some research, I determined that a 2-part metal-filled epoxy
adhesive commonly available in the U.S. called "J.B. Weld" also had
excellent thermal conducting properties and was used widely amongst the
computer gamers to attach large heat sinks to their overclocked
processors. In past experimentations, I had determined that this
epoxy did, in fact, provide both excellent thermal conductivity as well
as adhesion to the surface. Because this epoxy is also rated for
high temperatures (it is intended to repair engine parts) there was
little concern that the heat of the Luxeon could compromise the
bond.
J.B. Weld can be easily found at many auto parts stores
and home improvement centers in the U.S.
Rummaging around the junk box, I found some small '486-type CPU heat
sinks that were large enough to adequately dissipate the LED's
heat. Locating the center of the heat sink (using the "X" method)
I lightly scribed a circle around the center to provide a reference
point. I then straightened the LED's leads, degreased both the
heat sink and the LED's metal slug using denatured alcohol and placed a
small dab of epoxy in the center of the heat sink. Placing the
LED carefully in the center of the scribed circle, I clamped the LED
and heat sink in a vise overnight, using a "Pink Pearl" pencil eraser
to protect the LED's body and to provide a springy, yet firm,
compression surface. Leaving it in the vise until the next
evening, I had a nicely-bonded LED as seen in the picture.
It should be noted that the raw Luxeon Emitter has 10-15% lower thermal
resistance to its heat sink than a Luxeon Star, so given equal heat
sinks, the substrate of a Luxeon Emitter will run cooler than a Luxeon
Star, potentially yielding more light output for a given set of
operational conditions. I have had the occasion to remove a
Luxeon Emitter (after accidentally fusing a bond wire) from a heat sink
attached with the described method
and found that it took quite a bit of force to do so. I also
noted that the epoxy layer between the heat sink and emitter's slug was
extremely thin, mostly having been extruded by the compression during
curing: The thin-ness of this layer helps contribute to the
efficient heat transfer from the slug to the heat sink.
For more general information about the Luxeon emitter, see
this page.
Comments on mounting the
emitter and detector modules:
As can be seen from the pictures in
Figure 3 the emitter and
detector modules were mounted by using short pieces of ABS pipe along
with ABS pipe fittings. To mount the modules, these are simply
"plugged in" and the friction is used to hold them into place.
While this system works, the later enclosures use a different
scheme: Flush-mounting of the emitter/detector module to the rear
panel as described on the
foldable
enclosure page. The reason for this change is that
the flush-mount system is actually
simpler, consisting of just a hole in the box and the four tee-nuts
used to secure the electronics to the enclosure.
Matching the emitter and the lens:
It was originally thought that the percentage of light lost due
to the mismatch of the radiation angle of the Luxeon (the Lambertian
pattern) and the subtended angle of the lens at the focal point was not
likely to be significant. In testing, however, it was noted that
more than 50% of the luminous flux was lost due to this mismatch.
I was able to locate some "strong" PCX lenses (48.5mm diameter glass
lenses with a 51mm focal length) from American Science and Surplus (P/N
67956, for $4.50 each) that worked very nicely as a "secondary" lens.
Comment: More info about the necessity of a
secondary lens in certain instances may be found
at
this site:
Scroll down to the middle of the page and look for the diagram
labeled "Enlarging the Effective Source Size with a Secondary Lens."
As can be seen from the pictures, the lens was mounted in a piece of
0.062" glass-epoxy circuit board material. A hole, slightly
larger than the lens, was cut (using a hole saw) in the material and
the lens was secured into place using the J.B. Weld epoxy. The
circuit board material was clamped to a flat piece of wood (using
clothespins) and the lens centered in the hole - and a piece of a
polyethylene bag was placed between the lens/circuit board and the
piece of wood as a release agent: Epoxy does not stick to
polyethylene! At this point, epoxy was used to fill the gap
between the circuit board and the lens, and because the edge of the
lens is slightly beveled, there is a fairly large "capture" area for
the epoxy. After it had cured, the polyethylene was peeled away
from the assembly and the slight amount of epoxy that had gotten into
the visual portion of the lens was carefully scraped away with a sharp
knife.
To determine the precise focus, I marked a spacing of 330mm (the focal
length of the lens) and marked the large dimension of the lens (318mm)
on a piece of paper. By doing this, I was able to determine what
distance the secondary lens had to be from the emitter to cast a circle
of light that was about 318mm in diameter.
Note:
Because these Fresnel Lenses are rectangular (318mm x 250mm) some light
would be lost due to overspilling on the 250mm side: I set the
emitter-lens distance to create a circle that was a little under 318mm
diameter when the emitter-lens assembly was at the focal length
distance of 330mm.
Knowing this distance (around 6 millimeters or so) I mounted the piece
of circuit board material with the lens to the emitter heat sink, using
standoffs to set the appropriate distance: This assembly can be
seen in
Figure 6.
Comments:
- In speaking with Chris, VK3AML, it turns
out that our methods of mounting the secondary lenses were very similar
- even though I had never asked him for any details on how he had done
it.
- In later experimentation, I replaced the standoffs with screws
and springs to allow easy adjustment of the spacing between the LED and
the secondary lens, thus permitting precise adjustment of the virtual
spot size and the amount of "lens illumination." By being able to
independently adjust both the spacing between the secondary lens and
LED, plus the spacing between the LED/secondary lens assembly and the
Fresnel, I was able to iteratively determine the optimal combination
that resulted
in the highest luminous flux at the distant target. As it turned
out, my initial setting was within a millimeter or two (and a fraction
of a dB) of the optimum setting, anyway.
Figure 7
Top left: Using a carpenter square clamped to a laser level
to determine the alignment of the lens. Top right:
At the far end of the basement (about 32 feet away) is a target used
for aligning the receive and transmit lenses. The "alignment dot"
of the laser is seen at the top of the target while the LED's image can
be seen in the center of the target: An LED used for generating a
receiver alignment signal can just be seen below the paper target,
attached to the wall. The "orangeness" of the colors is due to
the overloading of the camera's imager - even through the LED current
was turned way down. Upper-center left: Front view
of
the
enclosure. A "wide angle" effect causes a distorted image of the
wall behind the enclosure to be visible. Upper-center right:
Side view of the enclosure showing the front cover being folded
underneath, acting as a support. Lower-center left:
Rear
of the enclosure showing the orientation of the mounting tubes. Lower-center
right: A dramatic illustration of the sun's rays being
focused by the lens, instantly igniting a scrap piece of the plywood
used to construct the box. Note that the focus is safely behind
the enclosure, as shown by the sharply-defined ray edges in the
smoke. This experiment in solar combustion was done on a winter
day through a double-pane storm door. Bottom left: The
elevation adjustment mechanism of the enclosure. Bottom
right: The "alignment target" used for adjusting the
receiver and transmitter.
Click on an image for a larger view.

|

|

|

|
 |
 |

|

|
Initial lens focusing and alignment - the transmitter:
In order to maintain the best optical efficiency, it is necessary to
obtain good alignment of the optical system: This alignment not
only requires proper focusing of the optical elements (both transmit
and receive) but lateral positioning to place the element in the point
of best focus of the lens.
To do this, I used a carpenter's square and clamped to it a laser level
as can be seen in
Figure 7. By holding the square against
the front lens rail (which is precisely parallel to the plane of the
lens) I could determine where the lens was aimed.
Note:
It is necessary to do this in both the horizontal and vertical
planes: The picture shows the laser being aligned in only one
plane.
At the far end of my basement, I made a paper target
(see Figure
7) that contained three marks: The one on the top that
corresponded with the position of the laser as shown in the picture,
another on the side that corresponded with the position of the laser
when aligned to the box in the "horizontal" plane
(note that the
box is on its side in this picture - an arrangement more convenient at
the time) and another mark that is measured to be in the center of
the lens.
Just below the paper target (and not easily seen in the picture) I
mounted a red LED below the center "transmit" cross hair target at
precisely the same distance as the spacing between the center of the
two lenses. In this way, the receive system could be aligned by
modulated the LED with a tone, and then adjusting for proper alignment
by noting the position of the loudest tone.
Using the laser and square, the enclosure was first aligned precisely
onto the target. At this point, the emitter assembly was moved
around on the backside of the mounting tube so that the center of the
LED's light fell precisely on the cross hairs. As precise
alignment was found, the emitter/lens assembly was soldered into place
on the mounting tube assembly using short pieces of #12 wire.
After soldering, the alignment was re-checked with the laser/square to
verify that the enclosure had not been bumped during adjustment.
Note: Because the distance is finite (only about 32 feet
or 10 meters)
between the target and emitter, parallax is still a major
concern: At much greater distances, the parallax will become
irrelevant as the beamwidths of the transmit and receive parallel beams
will merge. Also, fine-tuning of focusing for longer paths is
still likely to be required as the focus for these comparatively short
distances is going to be slightly "off."
Through experiment, I determined that proper focus at "infinity" can be
approximated thusly using a short-range (30 feet or 10 meter) test
range:
- Set the focus so that the sharpest "square" image of the LED's
die is projected. You should be able to make out the detail of
the bond wire on the LED itself in the projected image.
- Move the LED closer to the Fresnel so that the resulting
spot on the wall (now out of focus) is now the same size as the longest
side dimension of the Fresnel lens. (With a square lens, adjust it for
the same size as the lens.)
With the above procedure, the focusing will be "close" to optimal,
but
it is still best to focus the spot on a target (such as the side of a
house) that is at least several hundred yards/meters away,
adjusting
for the
sharpest "square" of light. Better yet, an electronic means of
light measurement can be used - more on this below.
Although
it is difficult to tell from the somewhat overexposed image in Figure
7, the paper target shows, in some detail, the top of the Luxeon's
light-emitting element - along with the bond wire and some of the
metallic connections - focused onto the target.
Initial lens focusing and alignment - the receiver:
Once the emitter had been aligned, it was much more convenient to
"point" the enclosure at the target than to repeatedly check with the
laser/square combination, so it is now practical to do a similar
alignment for the receiver.
With the transmitter properly aligned (and the shut off) the LED
mounted below the transmit target was weakly modulated with a
tone. The center of focus was found simply by moving the detector
around until highest amplitude of tone was noted, as measured using an
oscilloscope or AC voltmeter.
Once the "center" had been found, the detector was temporarily held in
place with small clamps (I used "binder clips" - those black metal
spring-steel clips used for holding stacks of papers together) and the
focus was adjusted for highest amplitude. After this, the
"center" was checked again, followed by a fine-tuning of the focusing.
This iterative process is necessary because as the proper focus is
achieved, the "focus spot" becomes smaller and smaller and any slight
offsets are going to be exaggerated as the detector is brought into
sharper focus. One method to verify that the focus is fairly
close is to block different portions of the Fresnel lens: If
properly focused, one should be able to block any half of the lens and
note that the signal drops by half as well: If this isn't the
case, that means that not all portions of the lens are being focused
onto the detector.
As in the case of the emitter, the focus setting at this (relatively)
short distance is not likely to be optimized for longer distances
- but there are several ways to simulate an
"infinite distance, parallel-ray source" but it may be easier just to
focus it on a distant street lamp.
Final lens focusing and alignment:
Once the transmit and receive adjustments had been "roughed on" using
the indoor range, it was necessary to verify proper aiming and focus
over a longer distance. In this case, I set up a test range over
a much larger distance - about 525 feet (160 meters) which is a much
closer approximation to infinity than was obtainable with the indoor
range.
To properly do this adjustment, I had to construct the "alignment
target" seen in the bottom-right image of figure 7. As
you can see, this is constructed of a large piece of cardboard (a
discarded box) and on it are black and white lines constituting
crosshairs (which may be seen from a distance) spaced at the same
distance as the centers of the receive and transmit lenses.
Also mounted on this target are two electronics circuits: On the
right is an "optical beacon." This is simply a 4060
counter/oscillator connected to a 500 kHz ceramic resonator and to its
divide-by-512 output is connected an LED (with a potentiometer to
adjust the LED current) to yield a stable 976.5625 Hz tone. The
LED current is adjusted to just be visible at the 525 foot distance.
On the left of the target is an "audible light meter." This is a
simple circuit consisting of a Cadmium Sulfide (CdS) photocell
connected in a 555-based oscillator circuit. Wired thusly, the
pitch of the resulting tone is roughly proportional to the conductance
of the photocell - which, in turn, is more-or-less proportional to the
luminous intensity. Attached in front of the CdS cell is an
"cellulosic annular optical view confinement device" (a portion of the
cardboard tube from a roll of paper towels) to reduce the effects of
stray light. The output of the 555 is also coupled, via a
capacitor and potentiometer, to a cable with a connector that plugs
into a handie-talkie. In this case, I used my old FT-470 HT tuned
to a 70cm frequency and set to low power, using a step attenuator to
reduce the radiated power to a minimum from the small rubber duck
antenna. Using this configuration, I was able to monitor the
pitch of the tone (and thus get an indication of luminous intensity on
the target) at the optical transmitter. The use of a frequency
counter (or computer running a program such as Spectran) allows precise
measurement of the received frequency to facilitate peaking.
Using these two pieces of simple gear, I was able to make certain that
both the transmitter and receiver were pointed parallel to each other
by making sure that the peak amplitude of the received signal coincided
with the emitter's beam being peaked on its respective target. I
was also able, using Spectran, to verify the precise focus of the
receiver as well as verify that both the primary and secondary lenses
of the emitter were optimally adjusted to provide maximum luminous
intensity at the distant target.
Pointing the photons in the right direction:
Out in the field, one has to contend with adjusting both the azimuth
and elevation of the beam appropriately. Given that one has a
stable surface on which the enclosure may be set, the azimuth is a bit
easier to handle than the elevation in that one simply rotates the
entire enclosure slightly to center the beam on the receive end of the
path.
Tweaking the elevation, however, is another matter. This need was
addressed in the manner shown in the bottom-left image in
figure 7
by using a piece of threaded rod, along with the enclosure's cover, to
provide a means of adjusting the elevation: When being
transported, the hinged cover shields the lens, protecting them not
only from mechanical damage, but preventing their (accidental) exposure
to sunlight. Upon setup, the cover is folded underneath the
enclosure and is used as part of its base.
The elevation adjustment mechanism is mounted to the main enclosure
using 10-24 screws with wing (or "butterfly") nuts that screw into
tee-nuts that are pressed into the wood on the opposite side. In
this way, the entire adjustment mechanism may be removed or,
alternatively, the bottom portion may be detached from the front cover,
allowing it to be folded back for transportation.
The bottom portion of the threaded rod screwed into a small piece of
1/2" aluminum rod into which some 1/4"-20 threads were tapped.
The bottom of this rod was turned down so that its outside diameter
matched that of the inside of the bearing, threads were tapped into the
bottom side (opposite the 1/4"-20 thread) and a flat-headed 6-32 screw
was used to hold the aluminum piece to the bearing. The bearing
assembly was then held in place using some flat washers (with holes to
provide clearance for the flat-headed 6-32 screw) and a spring.
With this mechanical assembly, the bearing/threaded rod is able to move
about to accommodate the threaded rod as its angle changes from
vertical
as the elevation is adjusted to its extreme, yet the spring keeps the
entire assembly from loosely moving around.
Also on the threaded rod are two stops using jam nuts: The bottom
jam nut prevents the elevation from being adjusted too far in that
direction - something that would likely tear the tee nut out of its
mount, while the upper jam nut prevents excess travel in the other
direction.
You may notice that this assembly only allows "downward" adjustment of
the elevation - and given any path with both ends at the same altitude,
the two ends would always be pointed downwards. Practically
speaking, however, if one end is at significantly higher elevation than
another - or if the enclosure is placed on a surface that isn't
perfectly flat, it may be necessary to point the enclosure upwards
slightly. This can easily be accomplished by shimming the
enclosure with a piece of wood, a book, or whatever might be
handy: Remember that it's not pointing the enclosure up or down
that's particularly difficult - it's doing so in a precise and
easily controllable manner that takes some care.
Spot Quality comparisons:
As was expected, the higher-quality optical acrylic Fresnel lens used
in this enclosure produced better-quality "spots" than
the vinyl "full-page magnifier" lenses in the
"Cheap
Enclosure." During testing, I decided
to do a direct comparison between the two.
Figure 8:
Top: Spot produced by the "first" (wooden) enclosure with the
high-quality acrylic Fresnel lens.
Bottom: Spot produced by the "second" (posterboard)
enclosure with the vinyl "page magnifier" lens.
Both of these images have been converted to grayscale for easier
comparison, and were taken using identical focal length and exposure
settings and have been identically processed to show relative spot
size, brightness,
and beam containment.
Click on either image for a larger version.
 |

|
Ideally, one would have done everything possible to make the two tests
equal, but there were some unavoidable differences that may affect the
accuracy of the direct comparison of intensity:
- It would have been ideal to have used exactly the same LED for
both tests, but this would have been difficult. Instead, the same
LED current was used (1.1 amps) for each test. Because the two
LEDs are believed to from the same production run, it is likely that
their optical outputs are very similar, given the same operating
current.
- Different secondary optics were used. Ideally, the same set
of optics would have been used for both, but this wasn't very
practical. In the case of the wooden box, a large (48.5mm
diameter with a 51mm focal length) glass PCX (Plano-ConveX)
lens was used to optimally focus the LED's output onto the Fresnel
lens, while for the second "cheap" enclosure (the one using the Vinyl
page magnifiers) a 20mm diameter acrylic DCX (Double-ConveX)
lens with a 34.5mm focal length. It is likely that in this second
case, there is some inefficiency in "photon transfer" because of this
non-ideal lens.
- Precise focusing of the secondary lens:
- For the first (wooden) enclosure, two different focus points
were manipulated: The spacing of the secondary lens to the LED,
and (independently) the spacing of the assembly consisting of the LED
and secondary lens from the Fresnel lens. For the first part, the
spacing between the LED and the secondary lens affected how much light
was reaching the Fresnel lens: If the secondary lens is too close
to the LED, the back of the Fresnel is "overilluminated" with much of
the light spilling out past the sides, while if the distance between
the LED and secondary lens is too great, the Fresnel is
"underilluminated" with only a smaller portion of the center of the
Fresnel getting light - something that will also reduce the effective
aperture of the Fresnel and increase the severity of
scintillation. The latter case has another downside: As the
spacing between the LED and secondary lens is increased, the virtual
spot size of the LED also increases, which also increases beam
divergence. For best results (e.g. maximum luminous flux at a
distance) a compromise must be reached between proper illumination of
the Fresnel lens and virtual spot size. Essentially, one adjusts
both parameters until maximum flux at the distant target is achieved.
- For the second enclosure (the one made of posterboard - the
very one described above, on this page) the adjustments were rougher,
going mostly by "eyeball." I have little doubt that a couple of
dB of improvement in distant flux density could have been achieved -
but since it is considered to be only a "low performance" device that
was thrown together quickly, I have no plans to try further tweaking to
make it work better.
- It should be noted that both boxes were carefully
focused (e.g. the distance between the LED/secondary lens and the
Fresnel) to achieve the best optical output.
In direct comparisons, it was determined that, given the same LED
current, the "cheap enclosure" had about 38% of the luminous flux
of the "first" enclosure.
Of more interest was the "quality" of the spots that the two boxes
produced even when optimally focused. As can be seen from
Figure
8 the "main spot" (the brighter "square" portion) is almost
identical in size, but the lower spot (from the page-magnifier Fresnel
lenses) is not only dimmer, but more light is spread out beyond the
main beam perimeter. It should be pointed out that this effect is
apparent not only from the pictures, but is arguably more visible when
view with one's own eyes. Although not visible in the picture,
there is a sort of faint "X" pattern weakly emitted from the
page-magnifier lenses that seemed to be totally absent from the
higher-quality acrylic lenses.
Again, it should be noted that in the case of the "fuzziness" of the
spot of the vinyl page-magnifier lens, this peripheral energy could
not
be removed by adjusting focus. In the case of the images in
Figure 8, the spot was projected onto the surface of a 33 foot (10
meter) diameter white satellite dish that was about 200 feet (60
meters) distant. At this distance, the beams had "mostly"
collimated, but were very slightly out of focus as compared to the
normal test distance that I'd been using of about 525 feet (160
meters.) The satellite dish was chosen because it was the only
relatively large, flat, white surface that was available at a
reasonable distance at the time of testing.
Note: One
can see the subreflector
assembly in the bottom of these pictures, along with some lines from
the sections of the main reflector as well.
Comments:
Weight of the enclosure:
- Without any electronics added, but with the lenses installed,
the
entire enclosure weighs around 12 pounds, or just under 5.5kg.
Even prior to adding the sides, it was sturdy enough to easily support
over 220 pounds (100kg) of weight on its front or back. (The
top/bottom/side panels, being thinner, cannot support such weight.)
Safety concerns when in direct sunlight:
- One advantage of the "mounting tubes" being used instead of
setting the distance of the rear wall at the focus point is that there
is that no portion of the enclosure is near the focus of the lens.
What this means is that if there is no optical transmitter or receiver
installed, no damage can be done to the enclosure when it is exposed to
direct sunlight. Any light hitting any part of the enclosure is
so far out of focus that it doesn't have the concentrated energy to
cause more than slight heating. If properly focused, there is a
point - a few centimeters rearwards of the enclosure - where the rays
converge and anything placed at that point will instantly burn!
Of course, if the emitter or detector is installed and the enclosure is
pointed at the sun, the likely result is the immediate destruction
of one or both of the units!
Note: Philips is apparently phasing out the Luxeon I,
III, and V lines in favor of the lower-power
Luxeon Rebel devices. Since I have not used those other devices,
the
techniques described here may not directly apply. For the time
being,
however, the Luxeon III devices are still available from various
sources.
Return
to the KA7OEI Optical Communications Index page.
Keywords:
Lightbeam communications, light
beam, lightbeam,
laser beam, modulated light, optical communications, through-the-air
optical
communications, FSO communications, Free-Space Optical communications,
LED communications, laser communications, LED, laser, light-emitting
diode, lens, fresnel, fresnel lens, photodiode, photomultiplier, PMT,
phototransistor, laser tube, laser diode, high power LED, luxeon,
cree, phlatlight, lumileds, modulator, detector
Copyright, KA7OEI 2007-2009, last
updated 20091230